
Afternoons with the blinds drawn
Anderson, Brett 781.66092 Anderson, B.
Bok Engelsk utgitt 2019 Biografier
Hylleplass: Ledig
- BEKKESTUA: 1 av 1 ledig
Plassering: MUS (hylleplass: 781.66092 Anderson, B.)
*0010544530 *003NO-LaBS *00520211208192530.0 *007t *008200825b xx e 0 eng d *009 n *00900715 a2200253 450 *019 $bl *020 $a978-1-4087-1184-2 *035 $a(NO-LaBS)12325334(bibid) *041 $aeng *082 $a781.66092$25 *090 $dAnderson, B.$c781.66092 *095 $a12325334$bBibliofilID *099 $aMarc21 *1001 $aAnderson, Brett$d1967-$_1911911300 *24500$aAfternoons with the blinds drawn *260 $aLondon$bLittle, Brown$c2019 *300 $a280 sider. *336 $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco *337 $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt *338 $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact *500 $aA compelling personal account of the dramas of a singular British band' Neil TennantThe trajectory of Suede - hailed in infancy as both 'The Best New Band in Britain' and 'effete southern wankers' - is recalled with moving candour by its frontman Brett Anderson, whose vivid memoir swings seamlessly between the tender, witty, turbulent, euphoric and bittersweet. Suede began by treading the familiar jobbing route of London's emerging new 1990s indie bands - gigs at ULU, the Camden Powerhaus and the Old Trout in Windsor - and the dispiriting experience of playing a set to an audience of one. But in these halcyon days, their potential was undeniable. *546 $aEngelsk tekst. *60014$aAnderson, Brett$d1967-$_1911911300 *61024$aSuede$_18753200 *650 4$aMusikere$0(NO-OsBA)1118691$2bibbi$9nob$_1925270500 *650 4$aPopmusikk$xEngland$_21070400 *650 4$aSangere$2bibbi$_20416200 *65044$aRock$xEngland$_1908634000 *655 4$aBiografier$0https://id.nb.no/vocabulary/ntsf/36$9nob$_1915635200 ^